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Big Trees: Pictures & Politics |
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From Sacred Symbol to Industrial Stumpage |
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Big Trees as Recreation |
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Big Trees as Natural Monuments |
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Big Trees as Curiosities |
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Big Trees as Cathedrals of Nature |
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Big Trees as Commercial Products |
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Big Trees as Trophies |
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On the Wrong Side of Environmental History |
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Big Trees as Objects of Science |
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Greenwashing Weyerhaeuser |
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Big Trees as Trophies
In the traditional masculine culture of big game hunting and trophy display big means best.
The larger the creature that is slain, the greater the self pride of the hunter and the greater the public admiration
bestowed on him. This rule applies not just to the display of animals but also to plants, more particularly to big trees, the most common motif being the victor and the vanquished. A characteristic format is the postcard. Right: an early
colour chromolith postcard dated c. 1900. Two lumber jacks, called fellers, display their deadly weapon of assault while standing bravely in the undercut of an about to collapse redwood tree. The postcard caption states that the crosscut saw they hold is 28 ft in length. Rather than the tragic impending death of the ancient tree being marked, a rite of masculine prowess
is celebrated. |
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Big tree felled by 28 ft crosscut saw Old postcard
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Man with axe on redwood stump.
Photo: Bancroft Library (C. Watkins)
The conquest of big trees by cutting them down is portrayed with the same
triumphalist iconographic idiom as the slaying of wild beasts. In one case the victorious feller
poses on top of a cut off giant (above), in the other the hunter poses next to a shot big game
quarry (right). In both instances, the weapon that led to the demise of the
"prey" or victim is prominently displayed, be it a rifle, axe or cross saw.
Right: Environment and History, August 2005.
"The iconography of game trophies contributed to a
celebration of conquest by Europeans and Euro-americans. Big game of domination, an
emblem of the conquest of territories and, increasingly toward the end of the
nineteenth century, a form of administration when big game hunting became connected to preservation"
Karen Wonders, "Hunting Narratives of the Age of Empire: a Gender Reading
of Their Iconography." |
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A variation on the trophy tree motif is the chopper's axe
embedded in the disembodied remains of the giant tree (left). The unrepentant celebration
of the choppers' triumph and the dominance over ancient big trees is not only an expression
of the American conquest of nature in the West but an unqualified endorsement
of the lumber value of big timber.
American hunter with grizzly, BC.
Wm. Hornaday, Campfires, 1906
The motif 'victory over vanquished' is illustrated in a BC grizzly
trophy photo that was published in a 1906 hunting narrative (above). In 2005 the photo was featured
on the cover of a European environmental history journal (left). Big game and big tree trophy display came into
popular usage during the Age of Empire (1875 - 1914), especially during the colonization
of the North American West. Thus trophy tree photos fill the university and local archives
(below) while museums are stuffed with animal trophies, especially those in empire centres like London and New York. |
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Gallery of Big Tree Trophy Photos, c. 1900 - 1960 |
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Falling a Big Douglas Fir, 1900 Vancouver, BC |
Falling a Big Douglas Fir, c. 1910 Weyerhaeuser Co., Washington |
Falling a Big Cedar, c. 1920 Comox, Vancouver Island |
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Falling a Big Sitka Spruce, 1946
Holberg, Vancouver Island |
Falling a Big Douglas Fir, 1950
Cowichan Lake, Vancouver Island |
Falling a Big Sitka Spruce, 1964
MacMillan Bloedel, Haida Gwaii |
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"Falling Trees BC West Coast," BC big tree trophy, 2007.
Screenshot: YouTube
Promoting the wood products industry is the big tree trophy display photo of an ancient cedar by Darius Kinsey, taken in 1906 in Washington State
(right). Two loggers, their axes embedded in trunk, stand on springboards on either
side of the enormous tree trunk while a third man sits in the deep undercut of the
mortally wounded ancient cedar. The tools that doomed her, the crosscut saw and
the falling axe, are prominently displayed in the centre of the carefully posed scene.
The Kinsey photograph was included in volume five, entitled "The Epic of
Industry," of the 15 volume series "The Pageant of America." The
caption states that it is the largest tree in Washington, with a circumference of 76 ft.
Published to commemorate the nation's sesquicentennial in 1926,
the Pageant was an unadulterated endorsement of resource exploitation and the only
value given to the ancient big trees of the Northwest was as a lucrative natural asset
to be freely slaughtered for industrial progress. As big trees were commodified,
recognition of their true value vanished. |
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Sadly, big tree trophy display continues today, glorifying the industrial
exploitation of ancient forests. Redneck jocks killing irreplaceable big trees in
BC (left) and destroying forever primaeval forest biodiversity are broadcast on YouTube:
Phoney Manliness and Big Tree
Felling. With few specimens left in the US, now BC's big trees are suffering a final
shameless assault (left) while the international wood products industry spews out greenwash to
conceal its immoral deeds.
"Big Tree, Washington."
New York Public Library (D. Kinsey) |
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"Mammoth Tree." Painting by Isaac W. Baker, 1854.
Collection: Bancroft Library |
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The Mammoth Tree, known also as the Big Tree, was the namesake of the Mammoth Tree
Grove in Calaveras County, California. She measured 302 ft in height and 96 ft in circumference at the time
she was chopped down in 1853. A painting done in 1854 by gold miner and amateur painter Isaac W.
Baker shows the felled Mammoth Tree (right). Two men are measuring the enormous 25 ft in diameter stump
on which a dance floor was later constructed large enough for 40 people. The sign on the butt end
of her trunk warns: "All persons are forbid taking any wood from this tree."
The Mammoth Tree Grove was the first grove of ancient Sequoias to
be "discovered" in the Sierra Nevadas by Euroamericans in 1852. Although it has
been a major tourist attraction ever since, the grove was not protected from logging
until 1931 when the Calaveras Big Trees State Park was founded. In 1967 the
park was finally expanded to include a second, more southern grove. |
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An wood engraving by picturing the remains of the Mammoth Tree was printed in 1862
as the frontispiece to the book "Scenes of Wonder and Curiosity in
California" by James M. Hutchings. The author reported that within the grove area there were 103 big trees,
20 of which exceeded about 75 ft in circumference at the base. Hutchings also included in his book an
engraving by A. Nahl of the Mammoth Tree prior to her untimely demise at the hand of man (right). Another view of
the momentous killing was an engraving published by the English minister and travel writer Samuel Manning,
in his 1876 book "American Pictures" (below).
Right: Engraving with
caption; "Preparing to Fell Big Tree."
Illustration in Samuel
Manning, American Pictures, 1876.
The felling of the
Mammoth Tree was described as a "botanical tragedy"
and an "act of desecration."
It took five men 22 days to complete
using pump augers: "thus this noble monarch of the forest
was dethroned, after braving the battle and the breeze for nearly
two thousand years." |
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"Workmen Felling the Mammoth Tree."
Engraving, Scenes of Wonder, 1862
Hutchings described the scene as one of nature desecration: "This tree employed five men for twenty - two
days in felling it - not by chopping it down, but by boring it off with pump augers. After
the stem was fairly severed from the stump, the uprightness of the tree, and breadth of its
base, sustained it in its position. To accomplish the feat of throwing it over, about two
and a half days of the twenty two were spent in inserting wedges, and driving them in with
the butts of trees, until, at last, the noble monarch of the forest was forced to tremble,
and then to fall, after braving 'the battle and the breeze' of nearly three thousand winters.
In our estimation, it was a sacrilegious act. . ."
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"Auger holes through the Original Big Tree."
Stereoview: E. & H. T. Anthony
Hundreds of trophy stereoviews of the Mammoth Tree were produced showing the
bark stripped section of her trunk with the auger marks clearly visable (above). Engravings were
executed using the stereoviews as reference (right). The destruction of the Mammoth Tree was not to
convert her to lumber but to profit from her display, consequently her bark and a cross section
were sent around Cape Horn to New York City. The exhibition was a failure as the viewers did
not believe the big tree relics to be authentic. |
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"Auger-Holes Through the Original Big Tree."
Big Trees and the Yosemite, 1872 |
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The Discovery Stump with sign, 2007
Calaveras Big Trees State Park |
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The Discovery Stump (from the park sign)
In the Spring of 1852, Augustus T. Dowd, while hunting, discovered a grove
of truly immense trees, now known as the Calaveras North Grove. Several stockholders of the Union Water
Company (who employed Augustus as a hunter) developed a plan to display in New York and other cities,
a piece of the largest of these trees. Many people, however, were outraged at the cutting of the tree,
Dowd among them. The tree was felled, sections of bark and a slab was shipped to New York City, and the
entire promotion was a failure.
The stump and remaining log became a tourist attraction. The stump was used as a dance floor, and
later was the foundation for a pavillion. A bowling alley and bar were constructed on top of the log.
The stump continues to be an attraction to thousands of park visitors annually. It is a testament
to the longevity of these redwood trees that the stump and log are still here after more than
150 years. |
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Relics of the felling of the
Mammoth Tree in 1853 remain on view in the Calaveras Big Trees State Park as curiosities:
the section of her trunk (above) and her stump (below). The same deeply scarred trunk section
photographed above in 2007 is the subject of a stereoview c. 1870 (right).
Stump of the Mammoth Tree, 2007.
Calaveras Big Trees Park, California |
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"Section of the Original Big Tree."
Stereoview (click to enlarge)
The massive stump of the Mammoth Tree, now called the
"Discovery Stump" (left), is shameful evidence of how an ancient living
entity was brutally cut down as a trophy tree in 1853. It was from this
exceptionally beautiful Sequoia that the the type specimen material was gathered
by botanists who waged a battle to be the first to name the world's largest tree
species. A lithograph of the Mammoth Tree printed in London c. 1855 notes: "Diameter
31 ft at the base, circum. 96 ft, height 290 ft, 3000 years old." |
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"The Mammoth Trees," Lithograph, 1854.
Hutchings California Scenes (click to enlarge)
The engraving above was reprinted in Heart of the Sierras (1888) by J. M.
Hutchings where her measurements were give as "321 ft in height, 84 ft in circumference, without the bark."
The text reads: "Now, alas! the noble Mother of the Forest, dismantled of her once proud beauty, still stands
boldly out, a reproving, yet magnificent ruin. Even the elements seemed to have sympathized with her, in the
unmerited disgrace, brought to her by the ax; as the snows and storms of recent winters have kept hastening her
dismemberment, the sooner to cover up the wrong." A photo taken in 1860 was entitled "The Mother of the
Forest, 305 ft high, 63 ft circumference" (right). It shows the 120 ft high scaffold used in 1854 to strip
the bark from the trunk of the 2,520 years old tree. The bark was sent by sea from San Francisco
to New York and London for the purpose of the profit from its display as a curiosiy and as proof to
a disbelieving public of the existence of such giant trees. |
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Another famous Sequoia inhabitant of the Mammoth Tree Grove in Calaveras County was
the "Mother of the Forest," renowned for her graceful form and symmetrical proportions which included
"two breast like protuberances." She is seen in the centre of a 1855 lithograph (left) by D.
A. Plecker entitled "A Correct View of the Mammoth Tree Grove." Based on a daguerreotype,
the scene also shows the stump and trunk section of the Mammoth Tree. The text reads:
"There are other trees of the same species in this ever green and ever memorable forest, as
large as the one shown in the engraving, but none so beautifully erect and symmetrical in every
proportion. The engraving represents the largest perfect standing tree, surrounded by a variety
of other large trees of a different species. It is called the 'Mother of the Forest' and has
been deprived of its bark to the height of 116 feet and at that height measures 39 feet 6
inches in circumference. . ."
"Mother of the Forest," 1860.
Bancroft Library (Lawrence & Houseworth) |
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"Mother of the Forest," c. 1870.
Stereoview: California - Big Trees |
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Many stereoviews were made of the giant Sequoias. One series, "California Big Trees,"
by Boston photographer John P. Soule, included a stereoview entitled "Mother of the Forest, looking up the Tree,
circum. 76 ft, over 306 ft high" (left). For decades after her bark was removed Mother remained a famous landmark,
until a fire in 1908. Also her bark, on display for over a decade at the Crystal Palace in Sydenham, was destroyed
by a fire in 1866. Thus all traces of the big tree, which might have lived for centuries more in her ancient forest
home, disappeared within a few short years of her discovery by Euroamerican settlers. |
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Left: "Calaveras Big Trees,
The Mother of the Forest," c. 1870. Photo by Carleton Watkins showing the tree some
20 years after her bark removal. A woman leans against the tree on the left. The photo was
used as a visual reference for the engraving (right).
Right: "Big Tree: Mother of the Forest."
Engraving in "Western Wanderings" by John Boddam-Whetham, 1874.
"Some sacrilegious vandals, from the
motive of making its exposition 'pay,'
removed the bark to the height of thirty
feet; and afterwards transported it to
England, where it was formed into a
room; but was afterwards consumed by
fire, with the celebrated Crystal Palace,
at Kensington, England. This girdling of
the tree very naturally brought death to
it; but even then its majestic form must
have perpetually taunted the belittled
and sordid spirits that caused it." |
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"The Cross-Cut in the Big Tree," Fresno Grove.
Lawrence & Houseworth, c. 1865 |
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Many commercial big tree trophy images were taken
of the prostrate giant Sequoia called "Big Tree" which had a circumference of 78 ft.
One image, entitled "The Cross Cut in the Big Tree" is by Lawrence & Houseworth (left).
Similar images were published as stereoviews (below). The Big Tree was located in the Fresno Grove
(later known as the Nelder Grove) in Madera County. When discovered by settlers
in 1857, the grove was said to contain about 600 giant Sequoias. Most were destoyed between
1888 and 1892 by the Madera Flume and Trading Company and the Madera Sugar Pine Company.
One of the cross sections from the Big Tree was used to illustrate its life of nearly 20
centuries. The display points out events on the time scale of the tree
rings such as the jailing of Apostle Paul in 58 AD, when the tree had just sprouted:
The Life of a Big Tree. |
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"Cutting off section of the Big Tree," Fresno Grove |
"Cutting off section of the Big Tree," Fresno Grove |
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Mark Twain Tree, 2008. Photo: F. Gold |
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When "Mark Twain" was cut down in 1891, the giant Sequoia was 1,341 years old and
measured 331 ft (100.9 m) high and 90 ft (27.4 m) in circumference at the base. Today a stump is all that remains of the once
thriving tree that might have survived another thousand years (left). The ancient tree relic is located
in the Big Stump Grove of what is now the Kings Canyon National Park in Fresno and Tulare Counties along with
other curiosities of the Sequoia lumbering days including a 150 year old pile of sawdust. Some cross sections
of the felled Mark Twain Tree were cut for display purposes and the rest of the tree was milled for grape
stakes, fence posts and shingles by the Kings River Lumber Company. |
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Mark Twain had the misfortune of growing in an area in the high Sierra Nevada
mountains called Millwood that was purchased by two lumber barons, Hiram T. Smith and Austin D. Moore,
who took possession the 30,000 acres of Sequoia forests in 1888 and founded the Kings River Lumber Company.
By 1905 the company had laid waste to some 8,000 giant Sequoias, all over 2,000 years old. Because of the
huge size and weight of Mark Twain, his killing by company loggers took eight days. An engraving shows two
men after their labour, on the stump just before the tree came crashing down (right). The bed of branches
built to prevent its breakage on impact is seen below the tree. |
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Right: Engraving entitled "The Fall of the Big
Tree - It bore the name Mark Twain.
. . Tree undisturbed on
its Sierra hillside, what other great men and
events in the world's history might it be a contemporary of?"
New York Times, 1891 (click to enlarge)
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Cross section from the Mark Twain Tree, 2007.
American Museum of Natural History
While the the largest, 16 ft in diameter basal cross section of Mark Twain ended up at the
American Museum of Natural History, a higher second section was sent to London for display at its Natural
History Museum which opened in 1881. There it remains today, an iconic display on the second floor of the grand
central hall (right). Conceived as a "cathedral of nature," the museum is emblematic of European
civilization at the turn of the century. While the rare ancient big tree groves, the real cathedrals of nature,
were being exterminated by Euroamericans for
wood products, relics of needlessly slaughtered trees were displayed as trophies of manliness and of the triumph
of human hegemony. Tragically, this irony continues to decimate big trees today. |
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Because the Mark Twain Tree was of magnificent
symmetrical proportions, "one of the most perfect trees in the grove,"
he was selected to provide a cross section for display at the American Museum of
Natural History in New York (left). The curator marked on its annual rings selected events
of human history. See:
Life History.
Its birth in 550 AD made Mark Twain a contemporary of Justinian, Emperor of the Roman Empire. "With these historic contrasts
before us," wrote a reporter in the New York Times (12 January 1908), "We can begin to picture in our
imagination the span of life that has been enjoyed by this hardy forest
Methuselah" A Tree's Life
Through Thirteen Centuries.
Cross section from Mark Twain Tree, 2007.
Natural History Museum, London |
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"Chicago Stump," Sequoia National Forest, 2006.
Photo: W. McGhie
General Noble's ignoble death was recorded in a series of photos by
Charles C. Curtis. A 60 ft high platform (right) was erected on the 285 ft high tree to
facilitate the loggers. The ancient giant was cut 50 ft from the ground, measuring at this
height 17.5 ft in diameter. The falling of General Noble was witnessed by over 100 men from
the nearby mills and logging camps. The spectacle was described by Hubert Howe Bancroft in
chapter 7 of The Book of the Fair (1893):
The saw was withdrawn, the last wedge driven. The immense tree quivered like one in agony, and with a crushing, raging, deafening sound it fell, the extreme top, with its branches, falling upon an opposite hill and breaking into a million pieces. The larger part split as it fell at the vase of the fifty foot stump, and lay like the hulk of a monster ship - the weight of that part being estimated at over 200 tons. |
General Noble cut into sections, 1893
Photo: California State Library, Fresno (C. Curtis) |
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The General Noble Tree was a famous 19th century giant Sequoia who inhabited the
Converse Basin area of Tulare County. Named for the Civil War general John Willock Noble, the record
sized tree was cut down in 1893 for display at the World's Columbian Exposition in Chicago. Today the
sorry remains of the venerable big tree, known the "Chicago Stump," can be seen in the
Sequoia National Forest (left).
"Felling Tree for Chicago World's Fair," 1893.
Photo: Kings County Library (C. Curtis)
From the 50 ft stump that remained after the fall of General Noble,
a 30 ft section above the base was divided into 14 pieces and prepared to be sent to Chicago for display.
The interior wood was removed from the tree except a small thickness and the bark which was reconstructed.
A photo by Curtis records this process (left). The image includes a game trophy, a black bear displayed
by a hunter, standing at its head with his rifle in hand. Curtis provided 18 images which documented the
annihilation and conversion of General Noble and proved the
authenticity of the monster tree. The images were exhibited on the walls of the two rooms, one above the other,
that had been built into the reconstructed trunk and were connected by a inner staircase. |
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The General Noble Tree trunk was displayed prominently in the central rotunda of the
US Government Building, an artifice designed to exemplify the nation. A photo of the trunk display,
entitled "Section of Sequoia Gigantea or 'Big Tree,' 23 feet in diameter, from California - Government
Building" was published in the 1894 Final Report of the California World's Fair Commission (right). The display
emphasized the grand forests of the Northwest as an abundant national resource for material progress.
The human General Noble served as the Secretary of the Interior between 1889 and 1893 and one wonders what his reaction was to the killing and display of the tree that bore his name. By contrast to the Noble Tree,
not far from the site of the carnage at Converse Basin, was "General Grant," a beloved Sequoia that
had been protected in 1890 by the creation of the four mile square General Grant National Park. Noble is
credited with originating section 24 of the Forest Reserve Act, which was passed into law in 1891 and stipulated
that the natural resources found on public land were to be "managed for the people." In 1893, the same
year that the General Noble tree was cut down on order by the federal govenment, the Converse Basin area became
part of the Sierra Forest Reserve, the second national forest reserve designated in California. During this time
thousands of acres of timberland in the Sierra Nevadas were grabbed by railroad and lumber barons and the
irreplaceable giant trees were massacred for commercial wood products. |
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General Noble Tree display.
California World's Fair Report, 1894 |
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General Noble Tree, Washington DC, c. 1895.
Photo: Bancroft Library |
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Also the Forestry Building at the 1893 World's Exposition in Chicago, with its
commodified remains of big trees, embodied national aspirations that were synonymous with
commercial exploitation. Some 40,000,000,000 cubic feet of American forests were being anually
converted into lumber at the turn of the century, supporting an powerful industry that symbolized
the end of the Western frontier. Following its display in Chicago, the General Noble trunk was shipped to
Washington DC, where it stood on the Mall near the Agriculture Department building for three decades
(left). It was eventually dismantled and stored in the Department's yards in Arlington, Virginia -
where today the Pentagon stands. What then happened to the remains of the once venerated big tree
is not known and it is assumed to have been destroyed, perhaps ploughed into the ground during construction of the Pentagon.
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World's Fair Big Tree, Mammoth Forest, 1894.
Photo: Bancroft Library (I. W. Taber) |
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The success of Chicago's 1893 World's Columbian Exposition prompted the
undertaking of a "World's Fair" in San Francisco the following year, called the California Midwinter
International Exposition. Two massive tree trunks from California had been displayed in Chicago,
one from the General Noble Tree; the other a 40 ft fake, a hollow structure covered
with panels of redwood bark. Also in San Francisco a big tree display was undertaken, and
a sacrificial Sequoia in the Mammoth Grove in Calaveras County was selected. Photographer Isaiah
West Taber recorded the felling and transport of the tree, which was nearly 3,000 years old and measured
99 ft in circumference and 312 ft in height. Taber's 40 folio sized images with captions were displayed
alongside the big tree sections to prove its authenticity (left and below). |
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Sections of the World's Fair Big Tree
being crated for transportation
from Mammoth Forest. |
Four sections of the World's Fair
Big Tree, boxed up, on the road from
Mammoth Forest, Porterville. |
Mountain Wagon as it was capsized
while hauling the World's Fair Big Tree
from Mammoth Forest. |
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The above is a one-foot section,
cut in two, of the World's Fair
Big Tree, Mammoth Forest,
California. |
Big Tree, one solid, half cut. This is the
largest piece of timber ever taken from
California, measuring 20 ft in diameter
and weighing 19,728 pounds. |
Eye witnesses to the preparation and
departure of the World's Fair Big Tree
being photographed upon the stump
at Mammoth Forest. |
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"Virgin Redwoods," Garfield, Humboldt County.
Photo: Humboldt State University (A. W. Ericson) |
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Another form of big tree trophy display are photos of trees prized for their
board footage of lumber, most often pictured lying on the ground like corpses waiting to be bucked
for the mill. Such images, often enscribed with the board footage, were commissioned by the logging
companies as promotional advertising. California archives are full of redwood corpse photos, like
those taken by A. W. Erikson in Humboldt County (below). The logging
industry also used giant stumps to promote their products. At first glance Ericson's image, entitled "Virgin Redwoods," seems to be the base of a living redwood. But closer inspection reveals
deep springboard wounds in the trunk, evidence of how it was lopped off. |
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Photographs by Swedish Settler A. W. Ericson
Arcata, Humboldt County, California, c. 1890 - 1910 |
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Right: "Among the Redwoods" by A. E. Ericson.
Augustus William Ericson (1848 - 1927) was born in
Orebro, Sweden and immigrated to the US in 1864.
In 1869 be began working for a lumber company in
Humboldt County, California and later settled in Arcata
where he established himself as a photographer.
Ericson was often commissioned by lumber companies
such as the John Vance Mill & Lumber Company (right).
Some 200 of the images he produced in the early 1890s
were displayed at the 1893 World's Columbian Exposition
in Chicago. Ericson's pictures of the redwood industry
were widely published in the US and abroad. Following
the World's Fair, the Humboldt County Chamber of
Commerce published a promotional book entitled "In
the Redwood's Realm" in which 126 of the images were
Ericson photos of redwood logging scenes.
Although the almost 500 glass plate negatives by Ericson
held by the Humboldt State University Library lack dates
and documentation, they provide a revealing indictment
of the logging industry's killing of ancient trees and the
conversion of their corpses to shingle boldts (below). |
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"10 Ft Log, Scale 13000 ft, Sheldon Wn, 1908."
Photo: University of Washington (G. R. Clark)
Pictures of gigantic logs destined for the mill was a common form of trophy
display during the settlement of the Northwest Coast when the old growth forests and their ancient
inhabitants were demolished by logging companies. A typical postcard from 1908 (above) features a ten
foot Douglas fir log on a railroad car at Shelton, Puget Sound, Washington. Within a few decades
the plundering had resulted in the extermination of the grand stands of timber. The exploitative
attitude toward the big trees is seen in the engraving of a section from the trunk of a BC cedar
(right). The trunk was exhibited at the 1886 Colonial and Indian Exhibition in London where it was
described as "A Forest Trophy." Its purpose was to promote the natural abundance of Canada
and encourage prospective British immigrants. |
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"BC Cedar, Girth 21 ft, Height 250 ft." Illustrated London News, 1886 |
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"The Stump House," Eureka, California.
Photo: Humboldt State University
On 14 February 1893, the same year that the General Noble tree
was cut down for a "tree room" display in Chicago, an unnamed giant redwood tree
growing on the Eel River in Humboldt County, California, was felled and stripped of its bark.
Divided into 14 sections, the bark was reconstructed into a room over 70
ft in circumference which was displayed at the Pan American World's Fair in Buffalo,
New York in 1901. Following the fair, the trophy became
the property of the Niagara Falls Museum where it remains today (right).
Entrance to Redwood Empire, 27 August 1939.
Golden Gate International Exposition
At the Golden Gate International Expostion in San Francisco in
1939, a redwood trophy log with a tunnel was displayed at the entrance (above). In 1959
a similarly large redwood trophy was displayed at the Sonoma County Fair despite there
being few surviving big trees in the county (right) |
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Big tree trophy imagery was appropriated by the logging industry as it
exploded with the flood of settlers to the Northwest Coast in the late 19th century. The native
redwood forests were the first to be decimated. Trophy logs were displayed at international
expositions to promote the lumber industry and as roadside tourist curiosities such as
"Stump House" in Eureka, Humboldt County, photographed by A. W. Ericson c. 1900 (left).
The slain redwood was converted to a curiosity to advertise for the "Manufacturers of
Redwood Burl and Myrtlewood Gifts Wholesale - Retail."
1893 Eel River redwood display.
Niagara Falls Museum, NY
Redwood, Sonoma County Fair, 1959.
Santa Rosa, California |
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Most redwood trophy logs were displayed as part of the lumber
industry's commercial advertising. In Humboldt County A. W. Ericson of Arcata, near Eureka,
was the best known photographer to be employed by the industry. He was often called by John
Vance to take glass plate negatives of the mammoth trees, some 20 ft in diameter that were
felled in the "Vance Woods" before they were transported to the Vance Mill &
Lumber Company (right). It is likely that the man in the foreground with his hand on the
trophy log is the owner of the company, John Vance himself.
"Some Big Timbers Ready for the Sawmills, Oregon." Old postcard |
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Vance Woods logging, c. 1899.
Photo: Humboldt State University
Erickson's photos were widely distributed with no regard for his copyright.
An example is the image above, which was used as a promotional postcard, falsely advertising the
"big timbers" of Oregon (left). The Vance Mill was bought by the Little River Redwood
Company in 1900 and futher sales continued until the 1980s by which time 97 percent of the redwoods had been exterminated. |
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Eureka businessmen formed the Samoa Land and Improvement
Company in 1889. Vance Lumber Company purchased the Humboldt Bay frontage from Samoa Land
and Improvement Company for construction of a large sawmill in 1892. Eureka and Klamath
River Railroad was chartered in 1893 to connect the Samoa sawmill which was the largest
in Humboldt County when purchased by Andrew B. Hammond in 1900. The lumber town of Crannell
(known as Bulwinkle prior to 1922) was founded by the Little River Redwood Company which
purchased the Humboldt Northern Railway in 1930 and merged with Hammond Lumber Company in
1931. A commercial photo from 1930 shows the standard trophy style motif used to promote
the logging industry (right). Note the length of the cross cut saw displayed in the centre.
Georgia Pacific, a pulp and paper corporation, acquired the Hammond Lumber
Company in 1956. During the last half century, most of the old growth deforestation in California
was the result of three mega companies which held hundreds of acres of redwood timberlands;
Georgia Pacific, Louisiana Pacific and Pacific Lumber. In 2005 Georgia Pacific was bought by Koch
Industries for $21 billion and in 2008 Pacific Lumber (owned by Maxxam) went bankrupt and was
acquired by Mendicino Redwood Company and so the lineage of forest destruction companies continues. |
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Little River Redwood Company, 1930.
Photo: Humboldt State University |
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Promotional Postcards by Little River Redwood Company
Bullwinkle/Crannell, Humboldt County, c. 1900 - 1930 |
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The lumber industry's
relentless destruction of
the native redwood forests
is dramatically documented
in promotional photos
commissioned by the Little
River Redwood Company
which operated
out of
Bullwinkle/ Crannell in
Humboldt County.
Left: Company bigshot
poses with his wife and an
employee, 1930 (far left).
Right: Company fellers. |
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15 foot diameter crosscut, 1911 |
Sawyer starting backcut, 1924 |
Choppers finishing cut, 1924 |
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Butt of redwood tree, 1924 |
Removing bark, cutover lands, 1924 |
Redwood sections on corduroy road |
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Peelers removing bark from logs, 1924 |
Mill plant looking downstream, c. 1924 |
Logging camp, Bullwinkle, c. 1920 |
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Big tree climbers Michael Taylor and Chris Atkins were the team who discovered the
tallest tree in the world, the 378.1 ft "Hyperion" in 2006. According to Mario Vaden, "Hyperion
missed teeth of saws by a few hundred feet." See his photos:
Hyperion.
The precise location of Hyperion in Humboldt Rewoods State Park has not been revealed to spare it from
possible root damage due to big tree enthusiastists. Some 135 redwood trees that reach higher than 350 ft
including "Helios" (376.3 ft) and "Icarus" (371.2 ft) have recently been discovered in the park,
much of which had been clearcut logged prior to its founding in 1983. One 280 ft surviver is climbed by George Koch, a
professor of plant ecophysiology at Northern Arizona University (right).
Sadly, the antiquated "macho" hunter ethos of big tree trophies still survives
today when modern technology has taken any courage or skill out of the killing and felling
of large living things, and such acts amount to little more than the callow destruction of rare,
threatened and endangered biological masterworks of evolution. |
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Today, with so few remaining big trees in California, Oregon and
Washington, they are no longer cut down for public display, but scaled by extreme tree
hunters (left). The fact that the so called "champion trees" are recorded by
organizations that greenwash for the forest industry should make one suspicious of this
distraction, for it is not the individual tree that matters as much as the habitat of the
big tree. Without the protective, surrounding forest, the groves of big trees are prone
to windfall, a case in point being Cathedral Grove in BC where its forest
buffer continues to be relentlessly logged (in 2008 by Island Timberlands), leaving the tiny
protected park vulnerable to wind damage, etc.
George Koch on ascent of a 280 ft tree.
Photo: Sillet-Antoine |
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©
Contact & Credits |
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